ANDREW R. HAMED
Senior Video Editor & Motion Designer
Hey, I’m Drew. I’m a senior video editor and motion designer focused on clarity, pacing, and visual systems that help ideas land. I specialize in shaping long-form content for founders and education brands, blending editorial discipline with thoughtful motion design to create videos people choose to keep watching.I care as much about the people behind the work as the work itself. Whether I’m onboarding new editors, refining workflows, or improving the creative environment, my goal is always to help others grow, collaborate smoothly, and do their best work together.
SELECTED WORK
YouTube
Acquisition.com
Senior Video Editor & Motion DesignerLed post-production for this Cash Cows episode, from selects and structure to pacing, clarity, and motion explainers.
Acquisition.com
Senior Video Editor & Motion DesignerDesigned all motion graphics and handled edit, sound, and final delivery.
Acquisition.com
Senior Video Editor & Motion DesignerFull edit and motion design, simplifying complex concepts into a clear, engaging narrative.
Advertising
A selection of commercial, branded, and promotional projects across agencies, startups, and direct clients. These pieces highlight range and adaptability in short-form storytelling, product-focused editing, and quick-turn motion work across multiple industries.
Social
A curated mix of high-performing social edits across YouTube, Instagram, and TikTok. These projects showcase fast-paced storytelling, platform-native pacing, and creative strategy designed to drive retention, shares, and brand visibility.
Diverse Clientele
I’ve collaborated with clients across a wide range of industries, shaping stories and visuals that meet each space’s unique demands:
Entertainment: Editing, VFX, and motion design for film and television. From dynamic opening sequences to polished graphic-driven moments.
Corporate: Clean, confident brand storytelling through explainers, internal comms, and executive presentations.
Educational: Clear, digestible visual explanations for complex topics.
Advertising: Fast-paced, attention-grabbing spots built to stop the scroll.
My versatility as a video editor and motion graphic designer allows me to adapt to each client's unique needs, ensuring their vision comes to life with precision and flair.
Every Project A Canvas
Creative should move people, not just decorate a timeline.I approach every video as a blend of strategy and emotion. Story, pacing, rhythm, and design work together toward a clear outcome. Whether it’s a flagship Hormozi video or a small social asset, the goal is always the same: make something worth watching.
Adapting to different work environments.
Respecting cultural nuances.
Fostering interdisciplinary collaboration.
Actively listening and learning.
Behind the Scenes
Curious how everything comes together?Here’s a look at the systems and organization I use behind the scenes to keep every project moving smoothly, from pre-production planning to final delivery. My workflow is built around clarity, communication, and making the creative process feel effortless for clients.
Media Hand off
Online
Secure, streamlined digital delivery for fast-moving projects.
I provide encrypted upload options through Google Drive, Dropbox, or client-preferred platforms. For privacy-sensitive work, I also offer end-to-end encrypted file transfer to ensure full confidentiality and smooth collaboration.
Offline
For clients who prefer a physical workflow, I can supply a prepaid mailing label for drives or cards. Once received, your footage is logged, backed up locally, and mirrored to cloud storage (with your approval) for redundant protection and peace of mind.
The Fun Part
Once your media is in my hands, the real creative work begins. I begin with a thorough review of every frame, logging selects, identifying key moments, and pinpointing the emotional backbone of the story. From there, I build the first rough cut that sets the direction for everything that follows.
How it Starts
Every project begins with a rough cut. It is not polished yet, but it is a powerful tool for shaping the narrative. At this stage, we focus on structure, pacing, and clarity, leaving color, sound, and graphics for later.Through collaboration, feedback, and a few rounds of refinement, we establish a strong foundation before moving into design and finishing.
Where it Ends
In the final phase, everything comes together: animation, color, sound design, and mix. Once the creative direction is locked, I deliver a polished master along with any necessary versions for social platforms, paid distribution, internal use, or market-specific adaptations.Your video leaves this stage ready to make an impact wherever it lives.
Open to Change
Every project is different, and so is every workflow. If something in this process needs to shift to fit your timeline or creative needs, I am always happy to adapt. The goal is simple: a process that feels smooth, collaborative, and tailored to you.
Dynamic Adaptability
I’ve spent the last several years working in both remote and in-person environments, giving me a flexible toolkit that adapts to whatever a project or team needs. At Acquisition.com, I work in a hybrid setup, collaborating closely with founders, producers, and editors in the studio while also handling deep-focus post production work from my home workstation.This blend has sharpened my ability to shift seamlessly between creative collaboration and independent execution. Whether I’m in the office reviewing story beats with the team or working remotely on high-volume editing and motion graphics, the standard stays the same: fast, organized, and precise.My workspace is fully optimized for long-form and multi-deliverable post production, and I maintain it regularly to ensure reliable performance for tight timelines and complex projects. On-site or remote, I stay fully integrated into the process and bring the same level of clarity, communication, and craft to every project.
F.A.Q.
How long does it take to finish an edit?
Every project is different, so timelines vary. Clear goals and organized footage usually lead to faster turnarounds. Factors like total runtime, number of deliverables, audio cleanup, and motion graphics all play a role. If you’d like a ballpark timeline for your specific project, feel free to reach out and I can break it down.
How do you stay updated on the latest tools and trends?
I actively test new tools, plug-ins, and workflow improvements as they hit the industry. I learn a lot from breaking down high-performing work across Behance, Vimeo, and YouTube, and bringing those insights back into my own process.
What Software do you use?
Most of my work is done in Adobe Premiere Pro and After Effects. I also use Photoshop and Illustrator as part of my standard workflow. If a project calls for it, I’m comfortable working in Final Cut Pro as well. I occasionally experiment with mobile apps like CapCut and Premiere Rush for fun or quick content.
Will you work in person?
Absolutely. I regularly collaborate in person in a studio environment, and I’m just as comfortable working fully remote or hybrid. The best setup depends on the needs of the project. If you prefer working face-to-face or want on-site support, I’m open to it.
What do you do when you're not editing?
I enjoy cooking, roasting coffee, and tinkering with synthesizers. Lately, I’ve been diving into watercolor, sprite art, and 3D animation for fun.